Monday, February 16, 2009

A 45º-turn on battery farming

freedom to protestRecently, the Cambridge News ran a story about students from Cambridge's Anglia Ruskin University picketing a Tesco's store to try to persuade it to stop selling eggs from caged hens, a subject which becomes close to my daughters' hearts every time it gets an airing; they then bring it close to my ears. (Maybe the protesters took advantage of the student union's free bus to Tesco...)

I'm sorry that animals are living in squalour and misery to feed us for less. But, in our broken society where kids live with drug-taking parents in a narrative so bleak it would have rendered Dickens suicidal, parents look at the financial news and weep, and older folk live emptily in the carpeted gulags of some nursing-homes, the fates of our feathered friends are not that high on my agenda.

Nevertheless, I'm not made of stone, so as I had to be in town today, Ia section of Cambridge's Mill Road had a walk down Mill Road, the cosmopolitan thoroughfare that the anti-Tesco campaigners are always going on about, and which is on Anglia Ruskin University's doorstep. My mission: to find out whether the small, independent traders whom the above state they defend are on-message as regards caged hens. My report follows:

If you want compassion for chickens, then Al Amin at number 100 was the clear winner, as it sold only eggs from free-range hens. On the other hand, Winfield Chinese Supermarket at no. 58 sold only caged chickens' eggs; I don't know the status of the quails and ducks whose produce was also available. (I only recently found out that there was such a thing as battery ducks, when Minora told me.)

Balv's Superette at no. 160 sold eggs from both caged and free-range hens, as did the Nip-In Express at no. 30. Conversely, there was no identification visible on the eggs for sale in unmarked boxes in Notun Bangla Bazar at no. 194, or in Spice-Gate International Food Centre at no. 14.

One store I dropped into was sold out of eggs, and in another where I couldn't find them a harrassed-looking lady behind the counter was trying to convince a young man that four cans of 9% lager was quite enough for him - he was rather a big chap.

I'm not quite sure why the campaigners have chosen Tesco's, which gives shoppers a choice between free-range and caged chickens and their eggs. It could be that they are yet to devise coping-mechanisms for the misery of other beings that is woven into many of our daily choices; possibly they ascribe to the view that most of us are economic automata; or maybe they just don't like Tesco's. Probably all three, and more, are intermixed.

Also to be factored in is celebrity chef Hugh Fearnley Whittingstall's campaign against Tesco's intensive-rearing techniques. However, this man has form: in January 2008 he was unmasked by an industry watchdog as having "allowed needless cruelty" at the battery-farm he set up to show viewers the horror of it all. Apparently it wasn't horrible enough already.

I don't doubt the sincerity of the protesters at Tesco's, I merely doubt their appreciation of situations where the pennies matter. If they really want to make a difference, they could lobby the Government to make it more rewarding for farmers to breed free-range chickens than it is at present, without increasing their impact on ordinary folks' pockets. Who knows, they might even be inspired to give the many Halal meat outlets in Cambridge some friendly advice on animal welfare.

But if they still think that campaigning for eggs to come from free-range chickens is the answer, then maybe as well as picketing Tesco's they might have a look at some of the establishments I've listed above that sell eggs from caged hens.

you choose: click to go to the homepage of Compassion in World Farming

Sunday, February 15, 2009

Saint Valentine's night


I don't always have the sunniest disposition, but excelled myself this morning, not having slept well for several nights. I growled through a shift at XV, the draughty old fen's charity shop, then went home for some kip. Awaking a bit more refreshed, I was still a bit unsure about going to a Valentine's night dinner at a place in another old fen I'd never been to before.

When she'd dressed up, Maxima looked amazing, and indeed looks better on a daily basis than I think of giving her credit for. An older friend of ours had laid down the law to me that I was NOT to have her cycling through the country in her good frock, so some friends called to pick us up.

Our destination was a barn that's functional around harvest time, but for the rest of the year it has flooring put down and gets hired out for weddings, dances and general events. It was high-roofed, with an intricate array of beams supporting the roofing, and tables waited on by a mixture of professional staff and local clergy.

I'm told that Cambridge and its environs has the highest concentration of choirs per square mile in the world. I don't know if that's true, but the local old fens have their fair share of singers. A group of four of them sang Grace in Latin before we started eating. I calmed down - food tends to do this for me. The dinner was exquisite beyond my descriptive skills. But the night was composed of far more than food: candles burnt on every table, with a little wooden heart, painted red, for everybody and a rose for every woman. I initially had a headache looking at Maxima through a candle-flame, but once some of the wax had melted I realised she looked amazing by candle-light, her eyes glittering like Loch Lomond under the full moon.

There was a "silent auction" whereby guests could submit bids for a list of promises, from an hour's conversation with a French-tutor to the whole works for a dinner-party for eight. In many of the old the fens, poverty and riches live cheek-by-jowl, as they have done for centuries, and even now ideologues of a certain political hue haven't managed to set the relatively poor and the relatively rich at each others' throats - but that's for another time.

I believe there were some pretty good bids made, by people who make a reasonable living out of doing jobs that need to be done, and doing them well. And amidst the bolting of stable doors almost a decade too late because of the actions of a few madmen, some are upping sticks and heading for foreign climes where they aren't treated as pariahs, and all the best to them. Settings like tonight's are where payouts and bonuses are recycled quietly - the auction, and indeed the whole night, was set up by Rector Pellegrina to help build a primary school in the diocese of Vellore in India, which is the twin diocese to that of Ely.

Our singers treated us to madrigals from different ages, starting from Hélas Madame by Henry VIII; I hope they were singing it because of the serial widower's facility with a bon mot, and not through any insights he might have had into keeping a partner. They took us, in several sessions alternated with a local girl playing music from Bach to the Bee-Gees on the piano, through Victorian times to the roaring twenties, then left us with what they (rightly, in my opinion) described as the best love-song ever: Robert Burns' My Love is like a Red Red Rose. I can't find it in madrigal form, but here's Scots songstress Eddie Reader singing it:



I am never in any doubt about how good Maxima looks in my eyes, but it was good to see her light up when other people told her she was looking lovely. Note to self: tell her how good she looks more often.

Wednesday, February 11, 2009

happy birthday Charles Darwin

fluI have mixed feelings about the flu vaccination. I once had an argument with Professor Calculus, who said he'd had the flu jab every year it had been available, and hadn't had the illness since 1988. I replied that, never having had the jab, I too hadn't had the flu since 1988. But Calculus is somewhat older than me, so perhaps the jab is indicated in his case.

So I was interested to read in the Cambridge News about a talk on the evolution of flu in Cambridge University's Leverhulme Centre for Human Evolutionary Studies as part of the celebrations for the bicentenary of Charles Darwin's birth.

The Leverhulme Centre was difficult to find at first, as there's a warren of throroughfares in that part of the city; but once I'd located Fitzwilliam Street the imposing, if foreshortened, façade was immediately visible. The glass doors opened automatically, which was a bit of a shame, because I'd been trying to read the finely-crafted inscriptions on them. I think they were quotes from Darwin.

The presentation was actually entitled the evolution of influenza viruses: seasonal flu Dr Colin Russelland vaccines and was given by Dr Colin Russell of the university's Centre for Pathogen Evolution, and facilitated by Chris Smith, a doctor and scientist who presents the Naked Scientist show and podcast for BBC Radio Five Live, and also pops up on Australia's ABC Radio National; sponsorship was from British Council Bulgaria, who had supplied a video-link to a group of students in Sofia. I'm informed by the organisation's Lyubov Kostova that the BC in Bulgaria are still talking about his presentation!

Dr Smith began the seminar by assuring us that his nudity was metaphclick for details of British Council Bulgaria's Café Scientifiqueorical, which was a relief. Dr Russell kicked off with the numbers, which I found surprising: 600 million people are infected worldwide with the influenza virus each year, leading to 100,000 hospitalizations every year in Great Britain, and 20,000 deaths. Russell is part of the World Health Organisation committee which analyses samples of bird flu, which often migrates across species to infect humans, to try to predict how the viruses will evolve in order to work out which ones to put into the vaccine which will try to protect vulnerable people from the disease at the end of this year. He will be part of the final decision-making process later this week.

The problem is that every time a scientist makes a comment about flu vaccines or influenza-related mortality, the subject of the 1918 pandemic - named the "Spanish flu" or "Spanish Lady" because Spain was one of the few countries not to suppress reports of the attrition, which exceeded that of the Great War - comes up in an often unmeasured way in the populist press. Smith referred to a headline on the BBC website, which I haven't been able to find, which comprised the word FLU dripping with blood. "I'd long thought the BBC was a bastion of jounalistic integrity", he commented.

Russell referred to the flu pandemics of 1893, 1957 and 1968, which are mentioned much less often than the 1918 one, but which determined the shape of the seasonal influenza outbreaks between themselves and the next outbreaks. The reason 1918 was different, however, was that the thing reproduced so quickly that it was present in all organs - including the brain - and had elements of a haemorrhagic fever like the Ebola or the Hanta viruses, which came to us from animals.

Russell engaged both academics and eejits like me in seconds, and his talk was fascinating from beginning to end, alighting on many subjects: but it was here that my own interest was especially piqued. Ebola comes from bats, with whom it appears to have coexisted for so long that virus and bat do each other no harm. But then a bat bites a gorilla, which is found by a West African villager who is looking for bush-meat to sell and is, probably, desperately poor. The virus kills him gruesomely, then his fellow villagers honour their tradition of giving the corpse a communal bath to clean him up for the afterlife. You can guess the rest.

Similarly, rats with the Hanta virus have been found to be more resistant to infection with the plague virus Yersinia Pestis, while the beastie causes a similar death to Ebola infection in humans. Smith added that measles appears to have migrated to humans from cattle 5,000 years ago, in whom the causative virus causes rinderpest; flu started coming to us from birds in the far east 2,000 years ago, and smallpox appears to be caused from a virus descended from the one which causes camelpox.

At this point, Smith picked up on a "throwaway figure" of Russell's on the amount of bacteria in the body; he'd estimated that only 10% of the DNA in the body is human, the rest belonging to our bacterial guests. Smith ran with this to talk about how "we have a huge population" in the world, adding that "one of the places with the biggest population density is this bloody country", and finishing off by declaring, in respect of there being 50 bacterial cells in our bodies for each human one of ours, "we are passengers in our own body". Russell stepped in to clarify that we humans do have our own genome, of which bacterial DNA is not a part.

This seemed to reflect the debate going on in some parts of the scientific community over whether Charles Darwin's "tree of life", suggesting that we ultimately descend froclick to read the New Scientist article disestablishing Charles Darwin's tree of lifem a common ancestor, is a valid representation of how evolution works. Some biologists are suggesting that genes can travel horizontally as well as vertically, as laid out in a recent edition of the New Scientist in an issue on whose cover was emblazoned Darwin was wrong. On of the chief engines of this horizontal gene transfer is reckoned to be viruses - Richard Dawkins introduced this concept to the popular consciousness in the first part of his documentary on The Genius of Charles Darwin, when he talked about HIV straight after dealing with Malthus' theories on how disease and war curb overpopulation - this may have been the reason for Dawkins' presence at the seminar.

There seems to be a wider debate, which threatens to develop into a battle, over who owns the heritage of Darwin: radical militant atheist philosophers of science on the one hand, and practicing scientists on the other. Russell showed how the battle-lines are not clearly demarcated when he predicated intentionality of nature with phrases like "nature selects" and even "nature moves in mysterious ways"; but the manner in which he acted to prevent the seminar's narrative from drifting into more contentious ground speaks volumes for his place in the camp containing scientists who want to do science.

A thawing of some scientists' attitudes to religion, or at least a recognition of the truth of the aphorism with which Wittgenstein ends his Tractatus Logico-Philosophicus - "Whereof one cannot speak, thereof one must be silent" - may be indicated by timing. Darwin's bicentenary falls on 12th February, but this celebration of his achievements ended with this seminar on the 10th - the day before the anniversary of Bernadette Soubirous' first sighting of Aquero, the beautiful lady in the grotto of Massabielle at Lourdes later revealed to be the Virgin Mary. New Scientist, on the other hand, marked that particular anniversary with a disquisition on How your brain creates God.

I'm not sure about Russell's views on religion, and that's how it should be: a warrior fighting for the lives of people vulnerable to death by influenza, he was there to talk about the disease and how to mitigate its worst effects. And he did so admirably. I have to swallow down my doubts about the global vaccine industry to recognise that he is working against natural selection, flying in the face of the foul precepts related to social Darwinism that so horrified Darwin to follow a star that Richard Dawkins, Darwin's false prophet, lacks the ability to comprehend: altruism.
click to hear Elizabeth Francis perform her songs on myspace
Having ridden shotgun with a colleague doing training earlier in the day, my head was spinning with ideas by the end of the seminar. So it was good to retire to The Snug on Lensfield Road to hear Elizabeth Francis breathe smoky life into songs of life, loss and obsession while jazz and soul fell in love on her keyboard under classically-trained fingers. If music is the uniquely human response to thinking too much, play on!

Happy birthday, Charles Darwin, I hope your legacy will soon be free of the ideological accretions that co-opt your posthumous approval of concepts you would doubtlessly have spat on.

Related post: swine flu and the hazard of hysteria

Swine flu - is it time to panic yet?

Saturday, February 7, 2009

top ten songs about places

Today I went to buy my first single for 8 years - I didn't succeed, though, because when I went to HMV I couldn't find the singles section. It was a bit simpler when you just had to look for the racks with 7" 45 RPM's...then I found out that the track I was looking for was only released as a single digitally.

I liked the warm, winsome feel of Mykonos by the Fleet Foxes the first time I heard it. It was redolent of many sounds, like CSNY, the Byrds etc while being beholden to none, the way a fine wine can suggest cinnamon, ginger and strawberries without any of those ingredients having been near it. And when Terry Wogan gave the track his seal of approval by calling it "strange but beautiful", I knew I had to have it. I found a version of their eponymous album containing an extra disc which had Mykonos on it, and which, in fact, to date contains all of their recorded music. So I breathed in the country-rock harmonies married to pastoral music - it was as if much of popular music from the Bay City Rollers to Robbie Williams had been nothing but a bad dream.

This gave me an idea. It occurred to me that many of the songs about places that I've heard over the years have struck a chord with me, stayed with me as it were. I'd like to share ten of them with you. Maybe you might even like to do the same.

10 - Mull of Kintyre

The place is at the end of the Kintyre peninsula in a part of South-West Scotland I never got to know as well as I would have liked; the McCartney family bought a farm there shortly after the break-up of the Beatles.

I remember dancing to this at a school disco in Glasgow, at a time when you didn't hear many songs about Scotland in the charts. Some pseuds suggested that it wasn't Paul McCartney's best work, but I would put it up there with Eleanor Rigby, Let it Be, Pipes of Peace and all his many classics. I heard that the bagpipe band was offered either a one-off payment or a share of the royalties, and, deciding that a song with bagpipes would never make it, asked for the former. I bet they were kicking themselves!





9 - The Alamo

After Johnny Cash looked at a map of Ireland - never having been there - and used the names to write Forty Shades of Green, he couldn't do anything wrong in the eyes of the various Scottish/Irish communities of the world. Even so, it was a surprise to go to Rome to study and find a group of Scottish blokes singing the college song, Remember the Alamo in thick (mostly) Glaswegian accents. I think a couple had relatives in the US, but the reason for the adoption of the song had been lost to posterity long before they came. Some suggested it went right back to Scottish singer Donovan's version of the song, released two years after Cash's in 1965. Whatever the origins, this stirring tale of the bravery of a group of men following Travis, Bowie and Crockett in their doomed attempt to prevent the surge of Santa Anna's troops into the (then) Republic of Texas has as its chorus the battle-cry of of the troops in the Battle of San Jacinto, when the Mexican army was driven out of Texas: Remember the Alamo!





8 - Tozeur

We never worked out why Alice e Battiato, the duo singing for Italy in the 1984 Eurovision Song Contest, were singing about a deserted Tunisian town, but in terms of writing and production this is a consummate pop song and they deserved to win. It was certainly better than Britain's Love Games, sung by Belle & the Devotions, who made it sound like a half-hearted warm-up for a Three Degrees tribute band. The winners were Sweden's The Herreys with Diggi-Loo Diggi-Ley, in which they sang about their magic shoes. But the lyrics of I treni di Tozeur are perfectly crafted - and the video's got a steam locomotive.




7 - The River Clyde

During the spring and summer, the people of Glasgow had a venerable tradition of taking a ride on a paddle-steamer down their river to one of several coastal and island towns - Dunoon, Rothesay, Tighnabruaich, etc - that was called going "doon the watter". Only one ship does this now: the Waverley, the world's last ocean-going paddle-steamer. The ship features in this video of The Song of the Clyde, which is about going doon the watter, sung by tenor Kenneth McKellar, a Scottish "national treasure" whose fine voice was ignored by the classical world because he chose to sing traditional folk songs for a popular market instead of pursuing a career in opera. Looking at the careers of Pavarotti, Domingo et al, his crime appears to have consisted of being ahead of his time. I hope you enjoy the song, and looking at my old stamping-ground.






6 - Palace of Aranjuez

This is a section of a classical concerto, not a song, but I didn't want to make the title of the blog too unwieldy. This is the adagio, the middle of the three segments of the Concierto de Aranjuez of 1939. Some people have asserted that the bombing of Guernica during the Spanish Civil War may have had an input into the piece's sad theme, and that may be, in part, true. But others have asserted that Joaquín Rodrigo wrote it after his wife suffered a miscarriage. This is closer to the truth, but again not quite accurate. Rodrigo gave an interview, aired on British TV shortly before his death, in which he said that he composed this piece while his wife was going through the miscariage, the hell - for both of them - of wondering whether their baby was going to live or die. The slow, minor theme between guitar and clarinet that kicks off the piece is Rodrigo praying to God for his and his wife's baby; this eventually gives way to ever more frantic flamenco-inspired strumming, as he begs so feverishly for the child's life that man and prayer become inseparable; and then we have an orchestral reprise of the guitar's original theme - if what went before was his Gethsemane, this is his "your will, not mine" moment. It's one of the few pieces of music that make me want to weep and is, I think, a perfect international anthem for the unborn.



5 - London

Noël Coward is said to have written this song while sitting in a bombed station during the Blitz. Much more of a "man of the people" than either his accent or detractors might suggest, he was fiercely patriotic: if you listen carefully, you can occasionally hear short parodies of Deutschland über alles. London Pride (Saxifraga urbium) is a perennial flower: both it and Londoners can thrive just about anywhere, not least in the bombed-out shells left by the Blitz.



4 - Galveston

Jimmy Webb wrote three place-name songs for Glen Campbell: Wichita Lineman, By the time I get to Phoenix, and my favourite is this - although it wasn't until recently that I found out the meaning of the song, that US Marines would leave Galveston to travel to Vietnam. When I realised that, then the words, coupling the optimism of youth with an ever-present awareness of one's mortality that perhaps belongs to older heads, took on a whole new meaning.



3 - Leidenstadt

Né en 17 à Leidenstadt was written by Jean-Jacques Goldman, who wrote songs for Celine Dion when she was singing in French. Goldman, who is French but has Polish Jewish forbears, imagines himself being born on the site of a humiliating defeat for the Germans towards the end of World War I and asks if things would have been different for him had he been born German. Then the focus goes to Belfast (this was 1990 - before the Peace Process): would one have been able to reach a hand beyond one's tribe? And finally, the late great Carole Fredericks sings the lyrics wondering if she'd have heard the voices saying that things would never be the same if she's been born white and rich in Johannesburg. A very engaging song - and the sampled bagpipes in the chorus are the icing on the cake.



2 - Loch Lomond

I was taught this song as a young'un, and was delighted when a Scottish group called Runrig, who came originally from the isle of Skye, released it in 1979. It was good to hear a Scottish group singing in a Scottish accent; although it's a bit strange, now that original singer Donnie Munroe has left, to hear Canadian Bruce Guthro speaking in an American accent and singing in a Scottish one. I hope you enjoy the video of Donnie performing it with the band.



1 - Home

I knew I wanted to end this blog with the idea of home, but wasn't sure about the song: Home Loving Man by Roger Whittaker, for example, or Back Home Again by John Denver, or Going Home by Runrig? The thing is, to me, home isn't so much a function of the location of one's birth, as of the people that accrue around you as the years go by. I think, personally, that the process of going home is a pilgrimage from culture to identity and from place to people, whether or not life leaves you where you were born. Personally, I was born in Glasgow, and, moving forther afield, upon meeting Maxima knew that I'd come home, which was no longer a set of co-ordinates but a person, then a group of people. There are still some people I love in Glasgow, and I enjoy going to visit them; then I come home.




Related posts: click here for more top ten songs about...

Thursday, February 5, 2009

blood, tears and celebrity dentists


The first time I saw a DIY dentist kit was in the early 90's, when I was working in France and a workmate, who had previously worked with Voluntary Services Overseas in Tanzania, showed me his. The tools looked standard dentist's issue, with enough temporary filling to last until you could get to a dentist, but I never worked out how you would be able to use the mirror while keeping your eyes in their sockets.

Last year the Telegraph's Lara Clout reported the case of grandmother Elizabeth Green, who was in a desperate state due to her toothache but, havinpicture with thanks to the Daily Telegraph - click to read storyg phoned round dentists' surgeries after government reforms of the industry, was unable to find any that were taking on NHS patients. Luckily the two front teeth causing the problem had become loose, so she was able to pull them out manually after working them forwards and backwards with her fingers. Even though dentists whose caseloads are predominantly made up of NHS patients can earn up to £96,000 ($138,500), their reluctance to take on more NHS patients who are now less rewarding has led, according to Ms Clout, to people repairing broken crowns with glue; she even found one person who had performed several extractions with houswehold pliers.

Not that dentists and their goods and services don't have their uses: in Croatia, Stipe Cavlovic's life was spared when a bullet with his name on it was stopped in its tracks by his false teeth. Perhaps dentists know something that the makers of bulletproof vests don't?

In my hometown of Glasgow, false teeth are called wallies, after the tiles made of china ("wally") that lined entrances to the more élite tenements - something the same as the US regional terms "chiny teeth" and "chinaware" to describe prosthetic laughing gear. When my Mum came of age, which then meant turning 21, the NHS hadn't yet been set up, so her family saved up so that she could have all her teeth removed as a special present. This would save her many years of prohibitive fees - or so she thought; two years later, the Health Service was founded.

I understand that we have to contribute to dental care, as only certain materials can be used in such a sensitive, vulnerable part of the body, and must be manipulated by highly-trained individuals. But, as in the rest of medicine, as time goes by more treatments are available in more highly refined formats, and there has to be a limit as to what can be partly or even wholly funded by the state. teeth in bracesmouth ulcers - click to read how to treat them and other problems with bracesFor example, last year I took my brother Asinus' daughter Perturbata to the orthodontist to have braces attached on the NHS and therefore free as she is a minor - something which, according to one website, can cost up to £7,000 ($10,000). Asinus is looking for dental wax at the moment, to shield mouth ulcers that perturbata's developed from the braces, which are exacerbating them.

I don't grudge Perturbata'The Dentist' by Gerrit van Honthorst, 1622, in the Gelämdegalerie, Dresden - click to see a larger picture her braces, especially as their wearers are enriching orthodontists through playground peer pressure, and children who try to resist this can find themselves targeted. I'm not suggesting a return to eighteenth century dentistry, especially as braces were known to the ancient Greeks and their predecessors; but I wonder how closely related the perceived need to have perfect teeth is related to that of conforming to other attributes of assorted supermodels and stars, like starving oneself half to bewilderment and mortgaging one's life for enhancements.

Dentistry can of course be absolutely necessary. Perturbata contributes robustly to her NHS dental treatment; when she wanted a tooth taken out because it was causing her severe pain, the dentist refused, putting her through the first part of a (more expensive) root-canal treatment, in breach of the General Dental Council's Standards for Dental Professionals, which states that practitioners should
Recognise and promote patients’ responsibility for making decisions about their bodies, their priorities and their care, making sure you do not take any steps without patients’ consent (permission).
To cut a long story short (there are a couple of links to backstories at the bottom), on the second visit, during which I accompanied her, the dentist decided that an extraction was now indicated but the tooth had been weakened by having a hole drilled through it, and snapped, leaving part of the root in her mouth.

Patientia was referred to Addenbrooke's hospital on a non-emergency basis. What a difference: the dentist there sat her down in an ordinary chair, not hovering above her and offering expensive options while she was semi-recumbent, bleeding and in tears, in a dentist's chair. He went through the options and guided her towards a decision, but armed her with the information that there would be pain and blood.

Unfortunately, Patientia neglected to mention this to her friend Fidelitas who, both Asinus and I being unavailable for the appointed day, accompanied her to the outpatients' dentistry department. When Fidelitas realised that Patientia would have to have her gum cut open in order to remove the fragment of root, she informed her that she was terrified of the sight of blood.

So Patientia followed the nurse alone into the clinic shaking somewhat, but was a little rhandsome? BAH AND DOUBLE BAH!elieved, somehow, when she saw that the dentist bore a passing resemblance to Brad Pitt. (Maxima accuses me of being jealous of his looks, but I protest that I simply don't understand what women see in a man with a face like a bag of spanners.)

Anyway, Patientia sat in the dentist's chair and, suddenly blonde, said "do I really need to have this done?" Brad the Dentist nodded and, root extracted and the reservoir of blood and pus it had been blocking sucked out of her mouth, she left with dissolving stitches in her gum. She half-reluctantly said goodbye to him.

There's certainly a lot of unmined potential in dentistry. For example, last August scientists removed the pulp from the wisdom teeth extracted from a ten-year-old girl, which they have frozen should the need arise for stem cells to be created for her, with no embryos destroyed nor any wannabe Frankenstein emboldened.

Generally, though, the government advised people to go to their dentists less in 2004, two years after the present downturn had first shown its ugly face. I won't find that a problem - unless the NHS starts hiring dentists that look like Gillian Anderson.

why oh why didn't Gillian become a dentist?

Related posts:

The Orthodoxy of Orthodonty

Good dentistry - it's like pulling teeth

Wednesday, February 4, 2009

golliwog-gate: the racism of anti-racists

First we had the debâcle of Jonathan Ross leaving obscene messages on a young girl's grandfather's answerphone on air. By debâcle I don't so much mean the actual incident - although heaven knows that was bad enough - but the BBC's initial response. At first it lied about not having received a complaint from Andrew Sachs, actor and grandfather of burlesque dancer Georgina Baillie, then attempted to smear those of its own listeners who complained, saying that they were offended after the fact, not having heard the broadcast (it pulled the incriminating sections of the broadcast out of the listen-again facility, but they were all over YouTube).

Now we have the siCarol Thatchertuation whereby a presenter on its evening magazine programme, the one show has been fired for allegedly having made a "racist" comment on Thursday, 29 January about an unidentified tennis-player off-air, in a private conversation in the green room. She is said to have compared the hair of a tennis player to the hair of the golliwog that used to be depicted on the Robertson's jam pots, and suddenly the ideologically beautiful press is screaming that she called a black man a golliwog.

The BBC said it would decide on whether Carol Thatcher could continue on the programme after an apology from her, which she promptly gave, and the decision was that she had to go.

Ferris State University's Jim Crow Museum of Racist Memorabilia gives a compsee the Project Gutenberg entry for The Adventures of two Dutch Dolls and a 'Golliwog'rehensive account of golliwog iconography, starting with its origins as a rag doll in the southern states of the US in the form of a minstrel - a white man blacked up - and going through its first gallant appearance in Bertha and Florence Kate Upton's 1895 The Adventures of two Dutch Dolls and a "Golliwog" to its less gallant appearance in Enid Blyton's series of Noddy stories, and in between its aforementioned appearance on jars of Robertson's jam.

Right away, though, we run into difficulties. The minstrels were represented on British TV in the BBC's own The Black and White Minstrel Show, the hugely popular variety show which finished after a campaign by ideological guerrillas in 1975. The most famous face click to see what Lenny Henry's doing nowto be launched by this show is Lenny Henry, probably Britain's best-loved black comedian and actor; had the show not been pulled, more black people may have similarly seen their careers launched.

I detest abuse on the grounds of the genetic accident of skin colour, but it's not even certain that Thatcher's "golliwog" epithet, made in the context of last week's Australian Open tennis championship, referred to the barnet of a black fellow: the top two contenders for golliwog-hair are Scottish Andy Murray and Frenchman Gaël Monfils. Both crops are shown below with that of our fictional friend.



golliwog-gate: it's about the hair, nothing else
The thing is, as (surprisingly) The Guardian's Michael White blogs, militant anti-racism can be as selective as the discrimination it deplores. When a thin white girl with long blonde hair is compared to Barbie, it isn't usually a complement - as used, for example, about Claudia Schiffer, by the liberal-socialist media machine. Multiple enhancee Sarah Burge, however, has turned the discrimination on its head by presenting herself as the "Real-life Barbie".

I think Lenny Henry was doing the same thing when he agreed to provide the voice, in Harry Potter and the Prisoner of Azkaban (my favourite Potter movie), of Shrunken Head, who is animated as a rasta-haired trophy on a string similar to what might have been produced by headhunters as imagined in, say, King Kong. This is in its own way as much of a race-based distortion as the gollywog, as of all the world's headhunters, the only ones to produce shrunken heads were the Jivaro of what is now Ecuador and Peru, who would not have encountered black people speaking English with a Caribbean accent. This isn't to try to take the fun out of Harry Potter, merely to amplify White's point about the selectivity of anti-racism.

That a Guardian journalist should agree on one point with an ennobled Conservative shoclick to go to the Margaret Thatcher Foundationws the depth of public dissatisfaction with the BBC's double standards. Both point to what has largely remained the elephant in the room - Carol Thatcher's parentage. As Norman (now Lord) Tebbit told the Telegraph, "It is probably a bit of a way for the BBC to get back at Carol's mother". Carol Thatcher is daughter of Baroness Margaret Thatcher, who was Great Britain's greatest peacetime Prime Minister, and fought running battles with the BBC over their coverage of, for instance, the Falklands War, the Miner's strike and the fight, which still continues, against hard-left influences in some unions which see political influence at the highest level as more important than the pay and conditions of their members.

Meanwhile, Michael White ends his article on a chilling note:

The idea that [racism] is a vice unique to white Europeans or north Americans is also a bit of a chuckle, as the Chinese will one day demonstrate when their looming hegemony provides some scope.
Get ready for the BBC to ban the Fu Manchu films. But I won't be watching the BBC by then, so I'd better start dusting off my Mum's old videos of The Black and White Minstrel Show.


denial of choice attack

Tuesday, February 3, 2009

stop press, breaking news, shock horror probe: snow in winter

Trinity Street in the rain, thanks to Cambridge News - click to view more images of Cambridge in the snow
Magus the cat has just seen snow for the first time this morning, and has decided he doesn't like it. He's very territorial about our - sorry, his - garden, and ran about for a bit to try to chase it out. Then he came in and mewled for me to pick him up; when I did so, he put his feet on my forearm to warm them up. Whoever said that dogs have owners while cats have staff knew what they were talking about. (Thanks to Cambridge News Ltd for the pics above and below left.)

The gritCambridge in the snow, picture by David Johnson, thanks to Cambridge News - click to read moreters have done a good job in Cambridge, but we got sent home early from work yesterday because a lot of workers in Cambridge generally come from small, outlying villages, where gritting hasn't been so good, giving rise to fears about getting home should the snowfall become a blizzard. So I got back to the sound of delighted screams from the garden, and found the women in my life creating a family of snowmen and punctuating the crystal-cold air with the odd snowball.

I can remember a time when we were more robust in the face of the elements. A workmate of mine from Liverpool and I got into a reminiscence-fest, looking back at trudging to school through over a foot, occasionally two, of snow in his home town and in mine, Glasgow - in Great Britain 6,000 schools have been shut over the last couple of days, with the knock-on effect that parents who couldn't arrange childcare were unable to turn up for work.

Sometimes these things get inflated in a spiral of gossip, though, and you end up with a situation when there was three feet of snow every winter: I only remember this happening once - in 1975, I think - and Prime Minister Harold Wilson rightly declared a national emergency. Now we have less than six inches of snow in London, and the capital's ground to a virtual halt; Professor Calculus estimates this will have cost the capital and the country up to a billion quid, and I reckon he's not far off.
something you don't see often in Rome, but what's the fountain called?
On the other hand, I went to college in Rome for a couple of years in the 1980's. During my stay, the city saw its first major snowfall for seven years. As soon as possible, snow-chains were put round the buses' tyres, and life went on more or less as usual, just slightly more slowly. And I got a chance to take the snap on the right, a sight you don't see often in Rome - note the strategically-placed finger to the left. (I found to my disappointment I hadn't written on the back of the photo - can anybody help me identify the fountain?)

Cambridge is at the same latitude as Edmonton, Canada, and London, about 50 miles south, is still as far north as Kiev. So what do the authorities of a hot mediterranean city know about dealing with snow that we've forgotten?

PS the family of snowmen are still there, and the general concensus is that the fat one's me. Just not (quite) as good-looking.